Jay-z is the greatest Dad in the world apparently....

Let me say this, I have no hate towards Jay-z for having a kid. Hell it's about damn time. But people we need to get a collective grip for real. He isn't the first father, not the first celebrity father, and I'm pretty sure he isn't the first to love his daughter. I have no problem with him dropping the song, "Glory". In fact, I am proud of him and this is the kind of stuff I've been wanting him

That Niggas Corny

After reading up on what others thought about my boy Childish Gambino's album "Camp" and seeing the comments I felt like I needed to address something that continually cropped up, the idea that Donald Glover is 'corny' because he doesn't talk about the streets. At least thats what my assumption is, but that initial feeling can't be true because Drake and J.Cole both go against the grain and don't

The First Hot Release of 2012

The music world may be going digital - or, really, it may've gone fully digital years ago - but hip-hop hasn't run out of good vinyl projects yet. It's just the beginning of January, and there's already a hot new release. Specifically, Grand Invincible are back with a new single called "Winter 365" on Revelation Records, a long-standing punk label dropping their first venture into the hip-hop genre.

"Winter 365" has a tight, atmospheric groove with some really nice vocal samples cut up into the hook - very Premierish. All in all, it's a perfect landscape for Luke Sick to kick the kind of Bukowski-inspired raps only he can: "Scaredy-cat MCs, they get no dap. Scared to come to the dives, thinkin' they ain't that. I can drink a shot of Jameson and not even flinch. Got a street crowd open so you know its intent. And if you be where I be, then you know it's intense. No tellin' 'bout tomorrow, so we don't make sense. Told a true-ass story, but forgot how it went."

The B-side is a posse cut featuring Agentstriknine, Eddie K, and of course Z-Man. The beat is good, but not as good as the A-side, and the verses are a little all over the place. No one manages to share the spotlight with our host, who steals his own show. That's a little disappointing in Z-Man's case... I hope he isn't mellowing out on us in 2012.

As you can see above, this is pressed on orange vinyl and comes in a pretty great picture cover. It is a 7" rather than a proper 12", but at just $5, you really can't argue about the value. It's limited to 300 copies, and can be ordered directly from the label here.

The Wizard

Up until a couple months ago, all I knew about The Wizard of Rap is that his 12" was on a couple hardcore collectors' wants lists and he was known for sounding like Rakim. So, when Dope Folks announced that "Escape From East New York" was their next release, they had my attention. Finally, I'd be able to hear just how good this record is. So I listened to their clips and, oh shit! I couldn't order it fast enough!

Of course, it was a pre-order, so I had to wait. But now it's here and wow! It's even better than the sound-clips had me expecting. It's amazing what hip-hop managed to get lost in the sands of time and relegated to the infamous "random rap" category.

"Escape From East New York" is a four-song (or three songs and a remix, strictly speaking) 12" that was originally released in 1989 on Renegade Records. Apparently, only 100 were pressed, which is why I never saw one of these pass by before. If it ever did show up on the 'Bay, you can bet it'll come with the label "Holy Grail" and a price tag starting in the triple digits.

So, I said this guy kinda sounds like Rakim, right? Well, not only does his boice and flow sound similar enough to Rakim that you could fool some serious Rakim fans, but it sounds like Rakim at his peak. You could put this on his greatest hits album - it's better than a lot of his singles, and I'm not talking his post-Eric B days. I mean, it doesn't top his very best singles... "Microphone Fiend" remains untouchable, and "Follow the Leader," etc etc. But it beats out some of their singles, for sure.

This single works because Ra... uhh, The Wizard is on fire, for one thing. He's coming fast and furious with a real "take no prisoners" flow. But beyond that, it's a total package. The beats are hard... fast but still dark, taking samples you won't recognize from other hop-hop records, mixed with a few familiar elements, and twisting them into tracks that could have been straight up hip-hop classics if they'd gotten the right attention at the time.

Oh, and did I mention the scratching? Jay Swift kills it, especially for 1989 - he could challenge DMC champions with the kinds of cuts he has on here. Like I said, total package. Both mixes of "Escape From New York" and "Murder By Death" are "Jack the Ripper" steez. The other song, "Excuses," is good too; just not as good. You could put the others on the greatest hits album, and "Excuses" would just be a nice little album track you could tuck away on Let the Rhythm Hit 'Em or something. Certainly a respectable outing and an enjoyable cut, but not the one to get you amped.

As usual, Dope Folks has pressed up 300 copies and is selling them for $20. There's nothing "new" here, either in the sense of newly recorded music or unreleased vintage stuff - but it does carry over everything from the original record, and considering there's only 100 of these on Earth, I think it's a more than justified repress. Unless you happen to have one of those on Renegade, this is a must-have. Dope Folks always releases really good stuff, but this is top tier even compared to the rest of their catalog. If it sounds like I'm gushing, you haven't spun this wax yet.

Mix tapes are out of control

So you may know I'm not a big fan of the modern mix tape, especially as is treated like an album, albeit with limited distribution and no direct checks for the artists. I understand, once 50 Cent and Gip-set were able to make a huge push in the streets with them, they became the accepted way to gain publicity and create a buzz, though since then, the impact has been negated because literally

The Return of Hot Chillin'

Back in 2007, the early days of the "limited" game, a new record label entered the scene, run by none other than the man himself, Marley Marl. One of the greatest, if not the greatest, hip-hop producers of all time releasing unreleased Juice Crew classics restored from the original masters from his very own vaults? There's no reason to ask questions - anything Hot Chillin' puts out is an immediate essential.

Like with 2009's Juice Crew EP, though, Hot Chillin' is more of an imprint than the actual label doing the releasing. It's still a never-before released, vintage Juice Crew hit directly from Marley's vaults, but this time the pressing, distribution etc are being handled by a new partner, Roots Forward Records, marking their first release. And for a beginning label, you can't ask for a better first release than a cracking, unreleased Craig G song from 1987.

But is it vintage? Other sites covering this 7" are playing it safe and just skating entirely around this issue, but fuck it; I'm going to tackle it. It's been brought up by multiple heads that this song "sounds too new" to be legit (remember Top Shelf 8/8/88?). Of course in many ways it sounds old - his flow is straight out of "The Symphony" rather than anything he's kicking nowadays. And the drums (more on them later) are classic Marley alright - right down tot he fact that he's used them before. And Marley has 'fessed up to reusing drums on multiple records that did get released, so it's hardly unlikely that you'd hear the same break in an unreleased joint from his vaults. If it's newly recorded, it was definitely meant to fool us.

But the argument is that it sounds "too clean," too "glossy" to be 25 years old, and to be honest it really kinda does. I mean, you gotta remember, 1987 would put this right after "Oh! Veronica" and "Transformer," which are absolutely primitive by comparison. And now, nothing on Roots Forward's site, Facebook, Soundcloud etc. state exactly what year this song is from... they just say "pulled from the vaults of the legendary Marley Marl;" but that doesn't mean anything date-wise - he could've recorded it and put it in his vault yesterday. Bloggers and vloggers are saying "'88" a lot, but I can't figure out where they're getting that year from. I found an old facebook announcement from Roots Forward that specifies, "from the golden era," and that's it.

Well, the controversy was enough for me to take it to Twitter and ask the man himself, @MC_Craig_G. And he replied back, "Nah it's a song from 1987." Assuming for a minute that it's not a Top Shelf-style hoax, Craig shouts out "buyin' records on Cold Chillin'," so it's gotta be before 1989, because Craig signed to Atlantic, not Cold Chillin' like the majority of the Juice Crew. At the end of the day, it still has an unexpectedly smooth sound to it, but I don't see firm enough grounds to accuse anyone of faking the funk (and, after all, Marley has tons of genuine unreleased heat is his vaults, why would he mock one up?). And, just like with Top Shelf 8/8/88 - even if it IS a fake; it's an awesome fake that sounds great and I'd have to have it in my collection even if it was newly recorded! :)

Now, until some new, concrete info comes forward, I'd say the case is closed... even if that may not to be everyone's satisfaction. So let's put it behind us and talk about what a neat, little record this is!

The joint's a banger, with - as I said - Craig G in full "Symphony" mode over a hot break-beat from Dexter Wansel. You surely remember "Theme From the Planets" being used to awesome effect in records like "In Control" by Sway and Tech, "Last Night" by Kid N Play, "Gutfest '89" by Digital Underground, the "Understand Me, Vanessa" remix by Anttex and "Tuffest Man Alive" by The Fila Fresh Crew. But unlike those songs which take practically the whole instrumental - which always sounds incredible - this one stops short, only using the opening drum loop. Like I said before, it's one Marley used famously elsewhere - after the big programmed drums at the opening, which Eric (cough cough, Marley) B keeps on top for the whole song - this is the drum loop he brings in for Eric B & Rakim's "I Ain't No Joke."

But then he flips it to a whole new direction, and brings in a smooth, head-nodding piano loop, helped quietly along by some atmospheric synth sounds in the background. And there's just some very simple, subtle scratching of a Rakim vocal sample ("tear it - tear it up") for the hook. In fact, it kinda sounds too subtle for '87... Uh-oh, wait; let's not go there again!

This record is limited to 300 hand-numbered copies; 100 pressed on clear (clear) vinyl, and 200 on black. As you can see, mine's clear and #17. It's not too unreasonably priced at $20, though that's a bit high considering this is just a 7", as opposed to a proper 12" (probably the only reason they haven't already sold out by now). Those of us who pre-ordered it over the holidays also received a nice, little bonus: a mix CD of disco-era Christmas rap songs,, including even one or two I wasn't hip to. Definitely appreciate that.

After all due consideration, this record has both my support and recommendation. And there seem to be both clear and black copies still available, so if you haven't already, I'd suggest dropping by the Roots Forward store and grabbing yourself a copy.And as for the future, Roots Forward has already announced four upcoming vinyl projects, including "the 2nd label release which will be an early 90?s gem being released again as a limited edition 7" single." And Hot Chillin'? Well, it's been ages, but they still have a page promoting their next release, HC003: Marley and Premier mixes of that wonderful tribute to Mr. Magic that was released mp3-only in 2009. Man, I hope that still happens!

Update 1/6/12: - Just heard from Roots Forward. According to Marley, the song is from 1988.

Secret Album Diss Revealed!

(And there's a Youtube version here!)